let’s boogie! opulent gestaltete lp-kompilation mit remasterten disco-tracks auf 180g-vinyl.

sb editz returns! jad & the open up proceedings with a dubbed out balearic boogie bomb, with tender games taking the a2 intertwining infectious guitar licks and synth lines into a supercharged groover. on the b side swales incorporates a funked out bass and plucked riffs over the top of some sizzling percussion. finally label founders slothboogie close out the ep laying a tasty 303 line & weighty kick over floaty pads and a choice vocal snippet. 4 cuts, 4 artists, 4 winners!

mit melodrama präsentiert lorde 2017 den nachfolger zu ihrem nummer-eins-debütalbum pure heroine.vier jahre liegen zwischen beiden platten, in denen lorde allerdings nicht untätig war: so steuerte die neuseeländische sängerin 2014 gleich zwei songs zum soundtrack von the hunger games: mockingjay, teil 1 bei, spielte zahlreiche konzerte und wurde obendrein mit zwei grammys ausgezeichnet.

der norwegische electro-pop-künstler gundelach hat bereits mit seiner debüt-ep und dem song games feat. ary auf sich aufmerksam gemacht. sein verletzlicher singer/songwriter-style auf soft elektronischem klangteppich lässt vergleiche mit james blake oder jamie woon durchaus zu. das debütalbum -baltus- nahm er zwischen oslo und london mit knut sævik (mungolian jetset), john calvert (ghostpoet, nao) und oyvind mathisen (cezinando, nils bech) auf. erste singleauskopplung ist das wundervolle duck hunting, ein analog elektronisches stück in nordic-noir atmosphäre, eindrucksvoll abgerundet mit gundelachs bon iver-eskem falsetto.

soundway releases new compilation of rare 1980s south african ‘bubblegum’ & boogie
in 1980s black south africa a local form of pop music evolved as the disco boom died down and slowly mutated. it was often ubiquitously described as bubblegum - usually stripped-down and lo-fi with a predominance of synths, keyboards and drum-machines and overlaid with the kind of deeply soulful trademark vocals and harmonies that south african music is famous for. compilers miles cleret (soundway) and dj okapi (afrosynth records) present a selection of 18 rare, handpicked 1980s cuts that highlight the period that nestles in between the ‘70s (where american-influenced jazz, funk and soul bumped shoulders with local mbaqanga) and the ‘90s when kwaito and eventually house-music ruled the dancefloors of urban south africa.

weekend loving from jennifer lara is a perfect blend of boogie funk, roots reggae and lovers rock. produced by black solidarity records in 1985, this album is a masterpiece from the studio one princess. recorded at tuff gong and music mountain studios in jamaica, the rhythm tracks are played by some of the best musicians from the island in the sun: lincoln style scott (drum), errol flabba holt (bass), robbye lyn (piano & synthetiser), dean frazer & ronald nambo robinson (horns). this reissue was carefully remastered from black solidarity master tape, now presented as a double lp 45 rpm dj friendly edition. the original limonious artwork was reloaded and a bonus track was added to complete the set: ’in my time’, an obscure slow synth groove, full of hope and melancholy. jennifer lara was first taken to studio one in 1969 by keyboardist richard ace, who was a session musician. she never left the studio one family and became resident harmonist. she added backing vocals to the songs of some of the camp’s biggest names, including delroy wilson, freddie mcgregor, dennis brown and sugar minott. in 1974, jennifer lara recorded her debut album with coxsone dodd at studio one in brentford road. the results of the sessions appeared on studio one presents jennifer lara, which was an instant success. jennifer lara was one of clement coxsone dodds protégés. one year after coxsone passed, she died at the kingston public hospital. she is survived by two children, daughter ika and son cheka. jennifer lara was a very likeable person, got on with everyone. she was involved in many benefit concerts to help to poor and the needy in jamaica. may your soul rest in peace, we love you jennifer.

omar s, the best - omar-s slides into 2018 with a new 12 inch with two future classic.

minimalistic funk and boogie disco jams by mystic jungle.

»stella« ist das vierte album der schweizer elektronikband yello aus dem jahr 1985. mit diesem album feierte die band ihren internationalen durchbruch, der zu einem großen teil auf den song »oh yeah« zurückzuführen war, der im jugendfilmklassiker »ferris macht blau« und zwei jahre später in »das geheimnis meines erfolges« zum einsatz kam. während der aufnahme bewegten sich boris blank und dieter meier ein stück von den experimentellen sounds weg in richtung des kommerziellen synth pops und zum cinematischen soundtrack.

kakkmaddafakka nahmen hus in einer alten villa im norwegischen bergen auf, die frontmann axel vindenes per zeichnung auf dem cover verewigte. entsprechend warm und familiär klingen die neuen kakkmaddafakka songs, wie gewohnt hübsche, kleine ohrwürmer, angesiedelt zwischen pop und indie mit sehr viel soul, einer leichten melancholie und diesem soften disco-flair, das so typisch ist für die norwegische musikszene. hus enthält zehn kleine, kuschelige geschichten über liebe und leben, die die zahlreichen kakkmaddafakka fans auf diesem planeten lieben werden.

first ever vinyl remastered reissue of this sought-after synth-pop /cosmic disco / funk / boogie album from 1983! lots of vocoder, analogue synths & keyboards, heavy drum machines, spacey vocals, bossa / brazilian touches, cosmic effects. the rah band was the brainchild of legendary english producer & arranger richard hewson. they debuted in 1977 with the cosmic glam hit the crunch, on which richard, an accomplished multi-instrumentalist, played all the instruments himself. in 1983, he released going up the second rah band album, where he also played most of the instruments himself, helped by several drummers, a brass section and the sweet vocals of his wife liz hewson. including massive club classics like messages from the stars, perfumed garden and more.

morris mobley presents his album

dm002 showcases 5 dance floor cuts from keita sano, lucretio, alter-d, bioroot, and asymmetrical. this ep was inspired by the video games jet set radio and jsrf. some of the soundtracks for jsr and jsrf were produced by the latch brothers (including mike d from the beastie boys), and features tracks from other great musicians such as cibo matto.
the artwork of this release captures the essence of the video game and the ep within. hazy nights out in the capital, neon lights, high rises and 4:00 am eats.

as one of the first dutch musicians to establish a vital connection between detroit and amsterdam, orlando voorn has long been recognized as one of the netherland’s most original and inventive producers in the world of electronic dance music. voorn began djing at the tender age of 12 and went on to win the dutch dmc dj championships in 1986 with his own characteristic blend of hiphop and electro. towards the end of the eighties he acquired his first sequencer, packed away his turntables and turned his hand to producing.

habibi funk: an eclectic mix of music from the arab world.

ltd repress
early support : andy hart, black loops, chasing kurt, dj t.,freund der familie, frits wentink, hector couto, hunee, jovonn, krl, loz goddard, luke solomon, luna city express, rainer trueby, robert owens, roman rauch, saine, sello, urulu, youandme and many more...

high focus records regular and member of uk rap super group the four owls, verb t has joined forces with production wizard pitch 92 for the new album ‘good evening’.
pitch, who has spent the past few years as the musical mastermind behind the award winning mouse outfit collective has excelled himself on this release bringing to the table a delectable selection of funk & soul infused bangers serving as the perfect backdrop for verb t to unleash his smooth brand of thoughtful lyrics and hooks.
having spent 3 years writing for ‘good evening’ verb t has put forward some of his most personal rhymes to date, delivered with a new found passion that sees the veteran build on a body of work that stretches back to the days of low life records and now sees him as a major part of the ever expanding high focus records movement. the album features guest vocals from uk giants ocean wisdom, jehst, drs, fliptrix, bva, king kashmere of strange u, sparkz, black josh, rye shabby, confucious mc and moreone.
‘good evening’ on limited edition vinyl will be officially released with a digital dropcard containing a digital copy of the album plus bonus instrumentals!

lovedancing is a hedonistic, unabashed bear hug of sample-leaning, 909-loving house music. space coast, the house-focused pseudonym of sleazy mcqueen, return with a double-pack of remixes from their debut album, crystal lake. in the wake of glenview records double vinyl release, we have on offer two volumes of remixes ranging far and wide in both depth and energy. volume 1 is kicked off with remixes from eddie c, the noodleman and yse. each of these fit for alternate set times.

to feel. without it, without love, without anger, without sorrow, breath is just a clock... ticking.

the collected double vinyl album contains a selection of the songs from level 42 s earlier years of -starchild- up until -tracie- and -take a look-. these tracks, specially remastered for vinyl, are exciting, standing the test of time, delivered by a timeless band.
180 gram double vinyl, housed in a gatefold sleeve including a 4 page insert/booklet with extensive liner notes and photos.

the second various artists release from bass agenda that focuses on dutch electro talent. following on from the success of the first release in 2016, that was supported by helena hauff, umek, dave clarke and many more, the sequel brings another four powerful and diverse electro tracks from the netherlands.

this is a reissue of ‘casioworks’ by gust de meyer, originally released as a cassette on ding dong tapes and records in 1983. this stuff has been making crooked collectors, old and young minimal-wave heads and other music lovers going bonkers for years. at the age of 35, back in 1983, gust de meyer was working as an assistant at the faculty of social sciences of the catholic university of leuven, were he did some groundbreaking work. he got a phd in musical industry and introduced the study of video games.

geht man davon aus, dass das konzept für das album Überbach von arash safaian – das den echo klassik award 2017 in der kategorie »klassik ohne grenzen« gewann – darin lag, eine musik zu komponieren, in der man bach spüren konnte, ohne dass bach »dabei« war, dann ist die veröffentlichung von mondholz: remixes & canons die fortsetzung dieses konzepts. es enthält zwei originaltracks sowie zwei remixe des renommierten elektronik-produzenten hendrik weber alias pantha du prince – der schmunzelnd behauptet, musik sei ihm in die wiege gelegt worden, denn seine eltern hätten ständig, auch vor seiner geburt, musik gespielt – bei denen weber »die regeln von pantha du prince« auf safaians musik anwendet. safaian sagt dazu: »für mich besteht die dichtkunst dieses albums darin, dass die universale architektur des kanons mit dem prinzip des tanzes vereint wird.«

get 2 know nicky benedek: a producer, songwriter, multi-instrumentalist and dj. his compositions bridge the nebulous territories of house, boogie, hip-hop, jazz-fusion and experimental new age. born and bred in los angeles, benedek began pulling inspiration from the city’s structural and visual dichotomies at a young age. he picked up a guitar at 9 years-old, taking note of any and all sonic surroundings, from prevalent west coast g-funk to the synthesized sound effects in video games to a herbie hancock record pulled from his dad’s collection. amongst a complex set of influences, funk took a hold on his heart by high school. bene’s world is benedek’s second leaving records release, following last year’s coolin’ ep as well as a full-length debut on the influential peoples potential unlimited label. his catalogue also includes collaborations with dam-funk, delroy edwards and tom noble. recorded between his koreatown studio and the west la home he grew up in, bene’s world captures the characteristically-la mingling of urban action and canyon seclusion.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period.
the eighth piece of the golden ravedays puzzle will be released on hippie dance in august 2017. number 8 of the series introduces two tracks that will take you to the far side of somewhere you’ve never been before. they are both reminiscent of outer space blues playing spooky games in a dust bowl.

side a features tuesday paris texas a tastefully arranged track with vintage sounds passing nonchalantly through a wild western aural landscape. the music is announced like a cowboy movie dual complete with bar doors swinging on rusty nails in slow motion. mournful guitar strings swirl over a steady horseback galloping beat, expanding into a full-on-fire dance track. halfway through a woman’s haunted voice appears and disappears like an eerie siren, a gunshot is fired (was that a gunshot?), a man whispers “what!?” tuesday paris texas is in no hurry to give an answer.

side b features mirage a desert sound collage glued to a steady pulse that rolls and rolls, circumventing any destination. mirage is a contour map of no surprising peaks just undulating valleys of wistful cathodic sound creeks, sometimes veering off to plains in full view of the moon, in earshot of solitary wolf cries. like tuesday paris texas, mirage is testament of superpitcher’s versatile prospecting beyond the elemental sound tools of the electronic music trade.

get ready for some true wonkiness, courtesy of neil landstrumm.
this is techno purely for those rock-solid psyches who lack that element of the deranged, the off­-kilter and the strange - on the dancefloor and in their own mental constitution. if you’re even slightly in doubt of your sanity, stay well clear of this cut.
the fact that he’s been using elektron instruments probably means it’s even more important to have that straightjacket at the ready. even that won’t stop you from dancing, though. neil has been making wonky techno since antiquity, hell, he’s the progenitor of the genre, but what you probably didn’t know is that he’s also been doing graphics for rockstar games, the software house that brought you grand theft auto.
he’s been a skilled elektron user from the very beginning, from the high and far­ times of the sidstation.

after the creation of computer disco lp (1982), marcello giombini produces the year after i adore commodore - computer music flash, which was mainly made with a commodore 64. giombini was a veteran of music applications with personal computer, started with an apple ii europlus and then converted to the commodore 64 thanks to the presence of 3 independent music generators that allowed him to make more elaborate music easier. the record was inspired by the videogames of the time, so that the titles of the 10 tracks are inspired by the names of famous games. the music was created using four to eleven commodore 64 programmed and synchronized with an external audio interface. at the time, giombini, in his studio in a basement just a few steps from nomentana, rome, had organized a small school with courses of basic and computer music. the graphic is the same of original lp with inner-sleeve dedicated to commodore 64.

andi and david first met in a forest beside a psychedelic castle in the wild west of scotland and soon bonded over a love of wrong speeders, balearic gems hidden in plain sight and the odder side of the dancefloor before djing together just moments after andi was unraveled from a burning tarpaulin. a firm friendship and fun partnership was born. hailing from mancunia but for sometime an export to the usa, andi, for many years was one of the great things about new york city. a charming, low-key individual, a great, great dj and a graceful presence in the land of the overhyped and ego driven. andi held down the musical supervision of rock star games and was responsible for a lot of great music getting out to the gaming masses. he was a vital member of body and soul for the best part of 15 years, delivering infamous warm up sets for danny krivit, joaquin joe claussell and françois k, pedigree vibes... david, a music lover since birth, a record collector for more than quarter of a century and a reputation for being the first on the floor at any party. db s transition from dancer to dj didn t take too long and his selections of rare disco, oddball gems and panglobal pandemonium have seen him play back rooms, basements, festivals and freakouts throughout the land, whether running his own parties in glasgow or playing further afield alongside the likes of young marco, jayda g and moodymann.

frigio records is going back in time for its latest release, some 38 years into the past. back then a young newcastle man was experimenting with early electronic instruments and synths. mick clarke is his name and nearly forty years later he is still at it. two tracks have been borrowed from clarke s seminal games lp, each given a bit of modern boot polish from minimalrome s heinrich dressel and frigio father juanpablo.

-walls of the night- is a blissed out work of ambient prog rock abstraction. think rumbling horror score and soaring guitar strings. heinrich dressel offers a giallo dipped remix. the building bars of the original are maintained, beats added for ballast and darkened organ keys for a remake etched with murderous intent. the flip is introduced by the dreamy -time is now.- slender synthlines intertwine with gentle strings in a cerebral work. juanpablo tweaks the 1979 material. syrupy acid lines swim in meandering currents, a thick beat keeping time in murky waters of modulations and undulations.

tobias bernstrup is a contemporary musician and video artist born 1970 in gothenburg, sweden. he received an mfa from royal college university of fine arts stockholm in 1998. using the visual language of pop culture, video games, sci-fi, classicism and gothic noir, he has created a stage persona with notorious live performances. dressed in elaborate costumes of skin-tight rubber suits and fetish gear, tobias’ external appearance is androgynous. he raises questions about representation of identity, the body and physical space in both virtual and non-virtual realities. between 1997 and 1998 he self-released two limited cd-r eps. in 2002 his debut album ‘re-animate me’ was released by tonight records followed by two limited 12” singles for the song “27” and the italian version “ventisette”.
“27” is a 5-song ep collecting 4 different mixes of the title track plus one unreleased song from the ‘re-animate me’ recording sessions. the material on this ep is closely connected with the world of computer games which bernstrup also inhabits.

all tracks written, produced, by v.i.c.a.r.i / mastered by iraciv

following the astounding success of their first release with chaos in the cbd, yam recordings return with the first installment of their you and music compilation series. this 5-track release features leonidas, msss, sofatalk, tom esselle and z lovecraft. compiled by shop owners theo & tom and born of relationships forged at yam records on rye lane, it represents both local and international talent that they ve had the pleasure of crossing paths with over the past 3 years. tom esselle s le&#770,,let kicks things off with a traditional guadeloupean folk song re-worked for the club. driven by tropical percussion and a hefty bass line, the call-and-response vocal elevates the track. msss follows with this is a modern drugs party. this track chugs along, interlaced with african and far eastern influences, while tuned percussion adds a hypnotic element. modern drugs party indeed. on the flip, italian maestro sofatalk offers up truth theme, an afro broken-beat masterpiece prime for the summer. polyrhythmic percussion, twisted horn samples and vibe solos carry the release from the nightclub to the beach. leonidas takes things back to the floor on shesha dub). this analogue hardware session delivers crisp hats, acid bass lines and synth stabs aplenty. the syncopated rhythms drive the track through five-and-a-half minutes of pure groove. finally, z lovecraft closes the compilation with oceanic a live jam recorded in one take. this track invokes memories of video games, beach life and sun-kissed afternoons, transporting the listener to an audio oasis via a digital ocean.

zero hero / lies / jelousy / meritocracy?

in the collection ‘i got soul’, this new release, ‘groove wash’, is a reference to the movie ‘car wash’. same ingredients as the the previous volume : a bit of blaxploitation, some seventies soul mood, wah wah guitar and lots of groove !

vandalaze is the solo project of the californian cory you, obsessed with video games, alternative retro sci-fi and 80’s californian aesthetics, his music is of a one-off and impossible to tag style, samplers and old rompler drum machines combined with funk, ebm, electro or 80’s house creating a mesmerizing avantgarde result. it arrives on ultra limited and ultra deluxe edition, including printed innersleeve with pictures of cory himslef on his daily life. certainly this is not a record for everyone, is a step forward for visionaire minds. a rule breaker sure classic for 2030. all tracks remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

lange war es still um nelly furtado. nach ihrer letzten welttournee zu ihrem album »the spirit indestructible« gönnte sich die kanadische sängerin erst einmal eine wohl verdiente pause, die allerdings fast fünf jahre dauerte.
ausgeruht und frisch startet sie 2017 ihr comeback. im gepäck hat sie ihr neues album »the ride«, für das sie mit zwei echten hochkarätern zusammenarbeitete.
das transparente 180 gramm doppelvinyl erscheint im 3-fach klappcover.

the 1991 album from grateful dead drummer mickey heart back on double vinyl, housed in a gatefold sleeve.

limited edition of 500 hand numbered copies on 180 grams black vinyl.
the label is called spettro (the word has two meanings in italian, it means spectrum but also ghost) and the releases will be split in two series: spettro library and spettro soundtrack - this is spettro library!

various is a good word to describe this escales vol.2 from croisière musique crew, the second various e.p. from the label, which seems so diverse that it almost could seem inconsistent to someone not familiar with the label. at the same time this e.p. summarizes perfectly a collection of different styles and aspects of croisière musique, from some heavy dancefloor-friendly house and techno to more abstract acid grooves, going through breaky minimalism. a1 – the e.p. starts with battle of wits from sebastian eduardo which is a direct uncompromising floor-oriented piece of house, setting a filtered atmosphere, bouncy bassline and a filtered synth which reminds us of a dubby atmosphere. a thick and compact atmospheric part progressively takes on the middle of the track and suddenly fades to let the main dancing pattern return. a2 – lowlifequalitys is a spatious acid piece which contains elements that are close to the aesthetic of video games. all synths coming together give a sense of confusion yet ordered by the repetitiveness of the loop. the sensation of something nerd and muddle rise from this experience, a expression of weirdness by the member of les points.b1 – programming behavior sets a step back in the ep, evolving around an hypnothic vocal piece which is extracted from an old interview of george clinton, heavily chopped and processed. on top of the simple breaky drum pattern which recenters the experience, gets added an arpeggio and a modular synth sounding sequence which progressively dramatizes the track. rx delivers here a mysterious piece of minimalism, bitter yet swingy. b2 – the e.p. ends with catan, the first appearance from françois, who co-founded croisière musique with rx. starting with an ambiant and breaky atmosphere, catan quickly evolves to a drivy four step techno piece. on top of the leading synth comes different glitchy elements, aerial pads and a disturbing shamanistic glitch in the middle of the track that announces a break which confuses the listener. the track follows-up on this contradiction between the hypnotic grooves and the solid drivy techno.

the late 1960s / early 70s brought about a change in sound for many gospel groups. producers and label heads at abc peacock recognized that the traditional sound of gospel needed to be updated to appeal to the younger market. the groups started to incorporate elements of soul and funk with arrangements influenced by the r&b records of the time. this compilation presents 13 striking examples of this seismic shift in black music by some of the greatest groups in gospel music’s rich heritage.

limited 200 copies in handmade sleeves

awake is a soundtrack for roaming around vast city landscapes between late night and early morning. a lone wolf observes the scenery and watches over people, their heads low, on the path home to sleep. inspired by 1980s movies, drone and video game soundtracks, rob orme aka submerse returns with an update to his signature sound.

lady blacktronika : she needs no introduction to the usual skylax heads, after last year’s killer ‘it’s a blacktronika world’ ep, the queen of beatdown returns to the skylax fold with a packed eleven track lp for us. it has got her signature slo-mo grooves, as well as a couple of housier cuts on the back-end of the record. naturally, a lot of these tracks are perfect for the club on their own, whether it’s an early set or a late one, but the lp really stands up on a full run through for home listening too. on the topside of the record, there’s the chugging vibe of “who doctor”, with its whirling synth and sizzling hats perfect for that low light, early mood. then you have the likes of “how i miss my x”, and titular track “a lonely space program”, that both raise the tempo into housier territory. all bases covered, really. this record is a slice of beatdown history, one you’d be a fool to sleep on!

n’toko ist ein experimenteller hip hop-künstler und produzent aus slowenien. seine ersten sporen verdiente er sich als frontmann eines lokalen hip hop-kollektivs namens moveknowledgement. n’toko wurde schnell durch sein technisches können und seine schnelligkeit als rapper bekannt und gewann dadurch sogar zwei nationale freestyle-wettbewerbe hintereinander. neben drei slowenisch-sprachigen alben veröffentlichte er mehrere eps in englischer sprache, von denen zwei auch in japan auf dem markt kamen. diese beiden scheiben haben mittlerweile kultstatus bei underground hip hop-fans und liebhabern alternativer musik erreicht. parallel dazu spielte n’toko ausgiebige touren in europa und den usa, wo er gast auf diversen festivals war (u.a. reeperbahn festival, glastonbury, exit, inmusic, best buy theatre nyc). derzeit engagiert n’toko sich auch politisch in slowenien und hat sich zum viel-gelesenen kolumnist und autor gemausert. auf unique erscheint sein neues album “emirates”, und es vereint kritische texte, straighte beats und düstere, elektronische sounds.

the 3rd solo album from peter gabriel, originally released in 1980 - now back on 180 gram vinyl, half-speed remastered

fantastic beasts and where to find them is a brand new british fantasy action film directed by david yates and written by j. k. rowling, inspired on rowling s book of the same name. the score is composed by grammy, golden globe, bafta, academy award winner james newton howard (dark knight, hunger games series, i am legend, batman begins).
limited first pressing of 2.000 numbered copies on transparent blue & gold mixed 180 gram vinyl.

following a soulful ep that enjoyed recognition from many big names in the industry, algorhythmic is moving forward to its second release which already hits the dancefloor with groovy, yet powerful tracks. the va brings together artists from all around the world who don t cease to amaze with their fresh beats and out of this world sounds. already having the support of raresh, petre inspirescu and barac, just to name a few, the record promises to deliever an exquisite groove, so get ready to lose yourself to it!

introducing ideaz, two skilled beat-makers discovered by cold busted, hailing from within the funky heart of russia. marat and nicolay make their ideaz debut with motion capture, a fantastic 15-track album that showcases the laid-back, blunted flavor of the duos rhythmic constructions. jazzy samples, vinyl pops, and crafty scratches abound as the album speaks the universal language of the instrumental hip-hop head-nod. “every day” hypnotizes with its funky handclap stomp, quick guitar riffs, and fleeting splashes of vocal. a gentle approach is revealed on “blossom fell”, featuring a dreamy female vocal hook, slowly tremolo’ed electric piano chords, and an overall air of wistfulness. “lines” brings ideaz into futuristic funk territory as its loping cut-up beat, abstract synth melodies, and ascending bass line imagine a robot dance-off on a year 2054 episode of soul train. those are just a few of the highlights to be found on motion capture.

stand-alone release of the 4th vinyl from the 1976 4-lp compilation “boxed”.
180 gram vinyl plus download code.
cut at abbey road by sean magee using original masters.